THE ELEMENTS OF MATTER

An invariable characteristic of Nature is to express life-death cycles of any idea, in nine lesser interweaving cycles enfolded in the one. When we think of man as an idea, we think of him as grown up to fullness of middle age. Until then, we think of generating man as infant, child and youth.

Following his generating cycles come the degenerative ones in which he gradually repays ail of his borrowings from his zero of rest and returns to that zero to again borrow power to re-express the idea of man. (Fig. 71)

This process of Nature, which expresses its cycles of idea in nine lesser cycles, is conspicuously present in the life-death cycles of the elements of matter. Carbon alone expresses the idea of matter.

All the nine octaves of the elements are stages of unfoldment and refoldment of carbon. The first four and a half octaves lead to the maturity of carbon by the generative contraction of gravity. It is the hardest of all of the other stages of its transition, having the highest melting point. The last four and a half octaves lead from maturity through old age to disappearance at the end of the nine octave cycle by the radiative expansion of vacuity. (Fig. 70)

Genero-activity begins at the birth of carbon in the first octave with genero-active, inner explosive speed of light which is 186,400 miles per second. It ends with an equal radioactive, outer explosive speed.

This speed is the limit at which motion can reproduce itself in curved wave fields before reaching zero where motion and curvature cease. Carbon fulfills the plan of the Creator in His desire to create but one form: the cube-sphere.

Carbon alone crystallizes in true Cube, with all of the qualities of the true cube and sphere fully exemplified. Al] other elements which crystallize as cubes are octave extensions of carbon.

All such extensions occupy the four-zero-four position of wave amplitude.

In carbon are all of the elements of its previous stages, just as in man are all of the actions and reactions of his previous stages. Hydrogen is a one octave younger prototype of carbon. It forms on the wave amplitude at four-zero-four just as carbon forms at four-zero-four one octave ahead. In hydrogen is a whole octave of elemental tones.

Several of these have been recently discovered and wrongly named isotopes. Isotopes are split tones such as those which a violinist could produce between full tones.

An amazing thing happens at this point in the unfolding of carbon’s life record. Hydrogen’s melting point is 259 degrees below zero centigrade and in one octave the winding up process of nature acts like a whiplash at its halfway position where genero-activity and radioactivity meet as equals.

This effect tightens the winding of carbon into such a dense substance that the melting point jumps to 3600 degrees above zero in that one octave.

Nature immediately counterbalances this accelerative action by dropping nitrogen, the next element beyond carbon, into a gas which melts at 210 degrees below zero centigrade. It does not recover from the gaseous condition during the rest of its octave. The cosmic seed of the carbon octave is helium.

Silicon is one octave older than carbon. The melting point of silicon drops to less than one half of its younger stage: 1420 degrees.

The cosmic seed of the silicon octave is neon.

When carbon becomes still another octave older at the four-zero-four position of cobalt in the sixth octave, it divides its full tone into ten split isotope tones; five on either side. (Fig. 70)

Carbon at this stage has lost much of its vitality and changes its character by thus dividing it into cobalt isotopes. Its melting point has dropped to 1480 degrees, which is slightly higher than the silicon stage of carbon. Because of sharing that position with ten others it has lost much of its true cube-sphere quality of balance which the four-zero-four position manifests.

The evidence of that is the metallic quality of cobalt which would be impossible in the true cube-sphere position of four-zero-four in the octave wave.

The four-zero-four position is one of balance between the pairs of metallic opposites such as iron and nickel, manganese and copper, chromium and zinc or sodium and chlorine. When any of these pairs lose their metallic quality, such as iron and oxygen in iron rust, or sodium and chlorine.

When any of these pairs lose their metallic quality, such as iron and oxygen in iron rust, or sodium and chlorine in sodium-chloride, they find both rest and balance in the stony quality of the salts; they crystallize in the cubic system if they are equal or near equal opposite pairs. Sodium-chloride is a good example.

One can see its approximately true cubes in sodium-chloride (ordinary table salt) or in the distorted cube crystals of sodium-iodide.

The four-zero-four position in the octaves of the elements is the position of rest where any action must end its half cycle and begin its other half. It comes to a point of rest before returning to a point of rest, as all actions and reactions in nature do.

At one octave of still further aging, carbon becomes rhodium and again climbs to its amplitude position at four-zero-four by five efforts and descends by five more. Rhodium is more vital than cobalt. for its melting point is 1950 degrees. (Fig. 70) The cosmic seed of the rhodium octave is krypton.

Great vitality is often evidenced in Nature’s creations after they have fully matured. The radioactive death principle is as vital in disintegrating the body as the genero-active principle is in integrating it.

That vitality is enhanced by the opposition of the genero-active resistance set up against it. Such strong, vital metals as silver, nickel, copper, tantalum, tungsten, osmium, platinum and gold belong to the aging half cycles of carbon.

Tantalum is a radioactive metal which becomes so dense because of opposition between the two electric conditioners that its melting point reaches 3400 degrees centigrade, or within 200 degrees of carbon. Osmium follows with a melting point of 2700 degrees and platinum at 1755 degrees.

In this octave, the violent drop from carbon’s melting point to nitrogen’s melting point at minus 210 is balanced by this corresponding genero-active reaction.

In the next octave of carbon’s aging. the radioactive death principle becomes more evident in lutecium.

After reaching its three position in the positive half of its octave, it arrives at its balance position of four-zero-four only after making thirteen efforts, as evidenced by thirteen isotopes including unknowns.'

These are balanced by thirteen in the negative half cycle. Among these thirteen is the vital tungsten, a negative metal of great commercial value. By bombarding this metal with a sufficiently high current to cause it to disintegrate, it will discharge its seed of inert cosmic gases just as an oak tree will discharge its cosmic seed in acorns. The cosmic seed of the lutecium octave is xenon.

The cosmic seed of carbon’s last octave of disappearance arises from the inert gas niton.’ Octaves unfold from their past recorded seed and they must have a seed into which their present record can refold.

That principle is absolute in Nature.

Radium and actinium evidence the going-to-seed process of all completed cycles of growing things in a strong measure. One can see this process taking place in radium without resorting to the electrocution process referred to as applied to tungsten. A small telescopic instrument, the spinthariscope, contains a needle upon which a microscopic portion of radium has been placed in front of a fluorescent screen. By looking through its lenses in the dark, one can see the shedding of the cosmic seed of the slowly dying carbon in its radium stage as the rays of those cosmic seeds bombard the screen. The effect is beautiful, like looking into the heavens on a starry night with all of its stars twinkling into appearance and disappearance as fireflies twinkle in the meadow on a dark night.

Carbon never comes within perception at tomium, but its efforts to reach tomium are evidenced in the uranium group of isotopes, of which there are fifteen before tomium is reached. Out of this group several have been found and made use of, especially those from which the atom bomb has been produced. (Fig. 70)

Radioactivity has so nearly reached its maximum at this point that the speed of the cosmic seed shed by these isotopes has been measured at 180,000 miles per second, which is approximately the speed of light nearing its ending point at tomion where the octave again begins at alphanon.

THE INERT GASES

The octaves of the elements of matter “grow” from seed, just as all things grow from seed. From the moment the elements unfold from their seed, they are in a constant state of transition, from the beginning of their cycle to the end. Elements are not fixed created things.

They are pressure conditions of light waves. Those conditions of light pressures are constantly changing from infancy to old age in the elements of matter just as they are in the animal kingdom. The inert gases are cosmic elements which will not combine with any other elements. They constitute the recording system of this creating universe. They surround the zero from which motion springs and to which it returns. They represent minimum motion in the wave, just as amplitudes represent maximum motion. They are the seeds of the octaves of matter, and each octave has a different seed just as different trees have different seeds.

Elements are waves, and waves disappear and reappear. God’s recording system does not allow any creating thing to disappear without recording the actions and reactions of its stages of appearance. All states of motion are recorded in the inert gases. In the inert gases are the souls of their bodily manifestations in the universe of motion. In them is desire for expression and the patterned form of that desire.

The cosmic inert gases fill all space between the stars of heaven. They insulate states of motion from each other by their balancing zero. They bring all motion into being through the will of the Creator, true to the pattern of desire. They are the source of balancing cosmic rays which interchange between zero and matter. They vitalize matter with the omnipotence of creative desire which lies within the zero of these cosmic rays. There are nine cosmic gases; the first and the last being one. Alphanon begins the cycle and ends it.

There is no beginning and no ending. The list of cosmic gases follows: alphanon, betanon, gammanon, *helium. *neon, *argon, *krypton, tenon, and niton.

SPECTRUM ANALYSIS

The known octaves which lie within the range of perception are five and one half. These begin with the third, or hydrogen octave, and end with the uranium group which are isotopes of actinium and tomium in the last octave.

The invisible octaves of finely divided matter of space are three and one half in number. These octaves are beyond our range of perception, but they are not beyond our knowing. Light is the universal language. Through spectrum analysis of light waves man has been able to analyze and recognize each element when in its incandescent stage.

By means of the spectroscope, he has been enabled to divide light rays through its prisms into the component parts which make up the life history of each stage of its two-way cycle.

Each element tells the story of its entire previous “incarnations” in other octaves, since its beginning.

Any line in one octave is repeated in the next, but shifted in position because of the changing pressures of each succeeding octave.

The spectrum of hydrogen is preponderantly red. A bright red line indicates its present octave. Other red lines tell its past history in lower octaves.

The simple history of hydrogen, as compared to the complex spectrum of iron. is like the history of an obscure youth as compared to that of Napoleon.

In the spectrum analysis of iron, the lines which belong to iron and those which tell its recent and remote history can be seen at a glance. These lines also indicate the relative ability of the iron atom to charge or discharge.

Wave length 718L8 is immediately recognizable as belonging to iron in its present octave; 6916.8 is recent history and 6944.8 is extremely remote history. Herein follows a partial list of lines whose wave lengths belong to iron or to its immediate mid-tone associates, and also other lists indicating its recent and its more remote history.' The visible and invisible spectrum is divided into several thousand lines. Each line is different in its shade of color and in its plane. Each line proves that this universe of varying motion is a universe of varying pressures.