Superphysics Superphysics
Section 5b

Lines 4-6

20 minutes  • 4202 words
  1. This was the Army of the Voice, the Divine Mother of the Seven. The Sparks of the Seven are subject to, and the servants of, the First, the Second, the Third, the Fourth, the Fifth, the Sixth, and the Seventh of the Seven (a). These162 are called Spheres, Triangles, Cubes, Lines and Modellers; for thus stands the Eternal Nidâna—the Oi-Ha-Hou (b).163

(a) This Shloka gives again a brief analysis of the Hierarchies of the Dhyân Chohans, called Devas (Gods) in India, or the Conscious Intelligent Powers in Nature. To this Hierarchy correspond the actual types into which Humanity may be divided; for Humanity, as a whole, is in reality a materialized, though as yet imperfect, expression thereof. The “Army of the Voice” is a term closely connected with the mystery of Sound and Speech, as an effect and corollary of the Cause—Divine Thought. As beautifully expressed by P. Christian, the learned author of Histoire de la Magie and L’Homme Rouge des Tuileries, the words spoken by, as well as the name of, every individual largely determine his future fate. Why? Because:

When our soul [mind] creates or evokes a thought, the representative sign of that thought is self-engraved upon the astral fluid, which is the receptacle and, so to say, the mirror of all the manifestations of being.

The sign expresses the thing: the thing is the [hidden or occult] virtue of the sign.

To pronounce a word is to evoke a thought, and make it present: the magnetic potency of human speech is the commencement of every manifestation in the Occult World.

To utter a Name is not only to define a Being [an Entity], but to place it under, and condemn it through the emission of the Word [Verbum] to the influence of, one or more Occult potencies. Things are, for every one of us, that which it [the Word] makes them while naming them.

The Word [Verbum] or the speech of every man is, quite unconsciously to himself, a blessing or a curse; this is why our present ignorance about the properties and attributes of the idea, as well as about the attributes and properties of matter, is often fatal to us.

Yes, names [and words] are either beneficent or maleficent; they are, in a certain sense, either venomous or health-giving, according to the hidden influences attached by Supreme Wisdom to their elements, that is to say, to the letters which compose them, and the numbers correlative to these letters.

This is strictly true as an esoteric teaching accepted by all the Eastern Schools of Occultism. In the Sanskrit, as also in the Hebrew and all other alphabets, every letter has its occult meaning and its rationale: it is a cause and an effect of a preceding cause, and a combination of these very often produces the most magical effect.

The vowels, especially, contain the most occult and formidable potencies. The Mantras (magical rather than religious invocations, esoterically) are chanted by the Brâhmans, and so are the rest of the Vedas and other Scriptures.

The “Army of the Voice” is the prototype of the “Host of the Logos,” or the “Word,” of the Sepher Jetzirah, called in the Secret Doctrine the “One Number issued from No-Number”—the One Eternal Principle.

The Esoteric Theogony begins with the One Manifested (therefore not eternal in its presence and being, if eternal in its essence), the Number of the Numbers and Numbered—the latter proceeding from the Voice, the feminine Vâch, “of the hundred forms,” Shatarûpâ, or Nature.

It is from this Number, 10, or Creative Nature, the Mother (the Occult cypher, or “0,” ever procreating and multiplying in union with the unit “1,” or the Spirit of Life), that the whole Universe proceeds.

In the Anugîtâ,164 a conversation is given between a Brâhmana and his wife on the origin of Speech and its Occult properties.

The wife asks how Speech came into existence, and which was prior to the other, Speech or Mind. The Brâhmana tells her that the Apâna (inspirational breath) becoming lord, changes that intelligence, which does not understand Speech or Words, into the state of Apâna, and thus opens the Mind.

Thereupon he tells her a story, a dialogue between Speech and Mind. Both went to the Self of Being (i.e., to the individual Higher Self, as Nîlakantha thinks; to Prajâpati, according to the commentator Arjuna Mishra), and asked him to destroy their doubts, and decide which of them preceded and was superior to the other. To this the Lord said: “Mind (is superior).”

But Speech answered the Self of Being, by saying: “I verily yield (you) your desires,” meaning that by Speech he acquired what he desired.

Thereupon again, the Self told her that there are two Minds, the “movable” and the “immovable.” “The immovable is with me,” he said, “the movable is in your dominion” (i.e. of Speech), on the plane of matter. “To that you are superior.”

But inasmuch, O beautiful one, as you came personally to speak to me (in the way you did, i.e. proudly), therefore, O Sarasvatî! you shall never speak after (hard) exhalation. The goddess Speech [Sarasvatî, a later form or aspect of Vâch, the goddess also of secret learning, or Esoteric Wisdom], verily, dwelt always between the Prâna and the Apâna.

But, O noble one! going with the Apâna wind [vital air], though impelled, … without the Prâna [expirational breath], she ran up to Prajâpati [Brahmâ], saying, “Be pleased, O venerable sir!” Then the Prâna appeared again nourishing Speech. And, therefore, Speech never speaks after (hard) exhalation. It is always noisy or noiseless.

Of these two, the noiseless is the superior to the noisy (Speech)…. The (Speech) which is produced in the body by means of the Prâna, and which then goes [is transformed] into Apâna and then becoming assimilated with the Udâna [physical organs of Speech] … then finally dwells in the Samâna [“at the navel in the form of sound, as the material cause of all words,” says Arjuna Mishra]. So Speech formerly spoke. Hence the Mind is distinguished by reason of its being immovable, and the Goddess (Speech) by reason of her being movable.

The above allegory is at the root of the Occult law, which prescribes silence upon the knowledge of certain secret and invisible things, perceptible only to the spiritual mind (the sixth sense), and which cannot be expressed by “noisy” or uttered speech. This chapter of Anugîtâ explains, says Arjuna Mishra, Prânâyâma, or regulation of the breath in Yoga practices.

This mode, however, without the previous acquisition of, or at least full understanding of, the two higher senses (of which there are seven, as will be shown), pertains rather to the lower Yoga. The Hatha so called was and still is discountenanced by the Arhats. It is injurious to the health, and alone can never develop [pg 123]into Râja Yoga.

This story is quoted to show how inseparably connected in the metaphysics of old, are intelligent beings, or rather “intelligences,” with every sense or function, whether physical or mental. The Occult claim that there are seven senses in man, and in nature, as there are seven states of consciousness, is corroborated in the same work, Chapter vii, on Pratyâhâra (the restraint and regulation of the senses, Prânâyâma being that of the “vital winds” or breath).

The Brâhmana, speaking of the institution of the seven sacrificial Priests (Hotris), says: “The nose and the eye, and the tongue, and the skin and the ear as the fifth [or smell, sight, taste, touch, and hearing], mind and understanding are the seven sacrificial priests separately stationed,” which “dwelling in a minute space (still) do not perceive each other,” on this sensuous plane, none of them except mind. For mind says: “The nose smells not without me, the eye does not take in colour, etc., etc.

I am the eternal chief among all elements [i.e., senses]. Without me, the senses never shine, like an empty dwelling, or like fires the flames of which are extinct. Without me, all beings, like fuel half dried and half moist, fail to apprehend qualities or objects even with the senses exerting themselves.”165

This, of course, only with regard to mind on the sensuous plane. Spiritual Mind, the upper portion or aspect of the impersonal Manas, takes no cognizance of the senses in physical man. How well the ancients were acquainted with the correlation of forces, and all the recently discovered phenomena of mental and physical faculties and functions, and with many more mysteries also—may be found in reading Chapters vii and viii of this priceless work in philosophy and mystic learning. See the quarrel of the senses about their respective superiority and their taking the Brahman, the Lord of all creatures, for their arbiter. “You are all greatest and not greatest [or superior to objects, as Arjuna Mishra says, none being independent of the other]. You are all possessed of one another’s qualities. All are greatest in their own spheres and all support one another. There is one unmoving [life-wind or breath, the yoga-inhalation, so called, which is the breath of the One or Higher Self]. That one is my own Self, accumulated in numerous (forms).”

This Breath, Voice, Self or Wind (Pneuma?), is the Synthesis of the [pg 124]Seven Senses, noumenally all minor deities, and esoterically—the Septenary and the “Army of the Voice.”

(b) Next we see Cosmic Matter scattering and forming itself into Elements; grouped into the mystic Four within the fifth Element—Ether, the “lining” of Âkâsha, the Anima Mundi, or Mother of Cosmos. “Dots, Lines, Triangles, Cubes, Circles” and finally “Spheres”—why or how? Because, says the Commentary, such is the first law of Nature, and because Nature geometrizes universally in all her manifestations. There is an inherent law—not only in the primordial, but also in the manifested matter of our phenomenal plane—by which Nature correlates her geometrical forms, and later, also, her compound elements, and in which also there is no place for accident or chance. It is a fundamental law in Occultism, that there is no rest or cessation of motion in Nature.166 That which seems rest is only the change of one form into another, the change of substance going hand in hand with that of form—so at least we are taught in Occult physics, which thus seem to have anticipated the discovery of the “conservation of matter” by a considerable time. Says the ancient Commentary167 to Stanza IV:

The Mother is the fiery Fish of Life. She scatters her Spawn and the Breath [Motion] heats and quickens it. The Grains [of Spawn] are soon attracted to each other and form the Curds in the Ocean [of Space]. The larger lumps coalesce and receive new Spawn—in fiery Dots, Triangles and Cubes, which ripen, and at the appointed time some of the lumps detach themselves and assume spheroidal form, a process which they effect only when not interfered with by the others. After which, Law No. —— comes into operation. Motion [the Breath] becomes the Whirlwind and sets them into rotation.168

[pg 125] 5. The Oi-Ha-Hou, which is Darkness, the Boundless, or the No-Number, Âdi-Nidâna Svabhâvat, the [circle]:169

I. The Âdi-Sanat, the Number, for he is One (a).

II. The Voice of the Word, Svabhâvat, the Numbers, for he is One and Nine.170

III. The “Formless Square”.171

And these Three, enclosed within the [circle],172 are the Sacred Four; and the Ten are the Arûpa 173 Universe (b). Then come the Sons, the Seven Fighters, the One, the Eighth left out, and his Breath which is the Light-Maker (c).174

(a) “Âdi-Sanat,” translated literally, is the First or “Primeval Ancient,” a name which identifies the Kabalistic “Ancient of Days” and the “Holy Aged” (Sephira and Adam Kadmon) with Brahmâ, the Creator, called also Sanat among his other names and titles.

“Svabhâvat” is the mystic Essence, the plastic Root of physical Nature—“Numbers” when manifested; the “Number,” in its Unity of Substance, on the highest plane. The name is of Buddhist use and a synonym for the four-fold Anima Mundi, the Kabalistic Archetypal World, from whence proceed the Creative, Formative, and Material Worlds; and the Scintillæ or Sparks—the various other worlds contained in the last three. The Worlds are all subject to Rulers or Regents—Rishis and Pitris with the Hindûs, Angels with the Jews and Christians, Gods with the Ancients in general.

(b) “[circle].” This means that the “Boundless Circle,” the zero, becomes a number, only when one of the other nine figures precedes it, and thus manifests its value and potency; the “Word” or Logos, in union with “Voice” and Spirit175 (the expression and source of Consciousness), [pg 126]standing for the nine figures, and thus forming, with the cypher, the Decad which contains in itself all the Universe. The Triad forms the Tetraktys, or “Sacred Four,” within the Circle, the Square within the Circle being the most potent of all the magical figures.

(c) The “One Rejected” is the Sun of our system. The exoteric version may be found in the oldest Sanskrit Scriptures. In the Rig Veda, Aditi, the “Boundless” or Infinite Space—translated by Prof. Max Müller, “the visible infinite, visible by the naked eye (!!); the endless expanse beyond the earth, beyond the clouds, beyond the sky”—is the equivalent of “Mother-Space,” coëval with “Darkness.” She is very properly called the “Mother of the Gods,” Deva-Mâtri, as it is from her cosmic matrix that all the heavenly bodies of our system were born—sun and planets. Thus she is described, allegorically, in this wise: “Eight sons were born from the body of Aditi; she approached the gods with seven, but cast away the eighth, Mârttânda,” our sun. The seven sons called the Adityas are, cosmically or astronomically, the seven planets; and the sun being excluded from their number shows plainly that the Hindûs may have known, and in fact knew, of a seventh planet, without calling it Uranus.176 But esoterically and theologically, so to say, the Adityas, in their primitive most ancient meanings, are the eight, and twelve great gods of the Hindû Pantheon. “The Seven allow the mortals to see their dwellings, but show themselves only to the Arhats,” says an old proverb; “their dwellings” standing here for the planets. The ancient Commentary gives the following allegory and explains it:

Eight houses were built by Mother: eight houses for her eight Divine Sons; four large and four small ones. Eight brilliant Suns, according to their age and merits. Bal-i-lu [Mârttânda] was not satisfied, though his house was the largest. He began [to work] as the huge elephants do. He breathed [drew in] into his stomach the vital airs of his brothers. He sought to devour them. The larger four were far away; far, on the margin [pg 127]of their kingdom.177 They were not robbed [affected], and laughed. Do your worst, Sir, you cannot reach us, they said. But the smaller wept. They complained to the Mother. She exiled Bal-i-lu to the centre of her kingdom, from whence he could not move. [Since then] he [only] watches and threatens. He pursues them, turning slowly round himself; they turning swiftly from him, and he following from afar the direction in which his brothers move on the path that encircles their houses.178 From that day he feeds on the sweat of the Mother’s body. He fills himself with her breath and refuse. Therefore, she rejected him.

Thus the “Rejected Son” being our Sun, evidently, as shown above, the “Son-Suns” refer not only to our planets but to the heavenly bodies in general. Sûrya, himself only a reflection of the Central Spiritual Sun, is the prototype of all those bodies that evolved after him. In the Vedas he is called Loka-Chakshuh, the “Eye of the World” (our planetary world), and he is one of the three chief deities. He is called indifferently the Son of Dyaus or of Aditi, because no distinction is made with reference to, or scope allowed for, the esoteric meaning. Thus he is depicted as drawn by seven horses, and by one horse with seven heads; the former referring to his seven planets, the latter to their one common origin from the One Cosmic Element. This “One Element” is called figuratively “Fire.” The Vedas teach that “fire verily is all the deities.”179

The meaning of the allegory is plain, for we have both the Dzyan Commentary and Modern Science to explain it, though the two differ in more than one particular. The Occult Doctrine rejects the hypothesis born of the Nebular Theory, that the (seven) great planets have evolved from the Sun’s central mass, of this our visible Sun, at any rate. The first condensation of cosmic matter of course took place about a central nucleus, its parent Sun; but our Sun, it is taught, merely detached itself earlier than all the others, as the rotating mass contracted, and is their elder, bigger “brother” therefore, not their “father.” The eight Adityas, the “gods,” are all formed from the eternal substance (cometary matter180—the Mother), or the “world-stuff,” [pg 128]which is both the fifth and the sixth Cosmic Principle, the Upâdhi, or Basis, of the Universal Soul, just as in man, the Microcosm, Manas181 is the Upâdhi of Buddhi.182

There is a whole poem on the pregenetic battles fought by the growing planets before the final formation of Cosmos, thus accounting for the seemingly disturbed position of the systems of several planets; the plane of the satellites of some (of Neptune and Uranus, for instance, of which the ancients knew nothing, it is said) being tilted over, thus giving them an appearance of retrograde motion. These planets are called the Warriors, the Architects, and are accepted by the Roman Church as the leaders of the heavenly Hosts, thus showing the same traditions. Having evolved from Cosmic Space, the Sun, we are taught—before the final formation of the primaries and the annulation of the planetary nebulæ—drew into the depths of his mass all the cosmic vitality he could, threatening to engulf his weaker “Brothers,” before the law of attraction and repulsion was finally adjusted; after which, he began feeding on “the Mother’s refuse and sweat”; in other words, on those portions of Æther (the “Breath of the Universal Soul”), of the existence and constitution of which Science is as yet absolutely ignorant. As a theory of this kind has been propounded by Sir William Grove,183 who theorizes that the systems “are gradually changing by atmospheric additions or subtractions, or by accretions and diminutions arising from nebular substance,” and again that “the sun may condense gaseous matter as it travels in space, and so heat may be produced”—the archaic teaching seems scientific enough, even in this age.184 Mr. W. Mattieu Williams suggested that the diffused matter or Ether, which is the recipient of the heat radiations of the Universe, is thereby drawn into the depths of the solar mass; expelling thence the previously condensed and thermally exhausted Ether, it becomes compressed and gives up its heat, to be in turn itself driven out in a rarefied and cooled state, to absorb a fresh supply of heat, which he supposes to be in this way taken up by the Ether, and again concentrated and redistributed by the Suns of the Universe.

This is about as close an approximation to the Occult teachings as [pg 129]Science ever imagined; for Occultism explains it by the “dead breath,” given back by Mârttânda, and his feeding on the “sweat and refuse” of “Mother Space.” What could affect Neptune,185 Saturn and Jupiter, but little, would have killed such comparatively small “Houses” as Mercury, Venus and Mars. As Uranus was not known before the end of the eighteenth century, the name of the fourth planet mentioned in the allegory must remain to us, so far, a mystery.

The “Breath” of all the “Seven” is said to be Bhâskara, the Light-Maker, because they (the planets) were all comets and suns in their origin. They evolve into manvantaric life from Primeval Chaos (now the noumenon of irresolvable nebulæ), by aggregation and accumulation of the primary differentiations of eternal Matter, according to the beautiful expression in the Commentary, “Thus the Sons of Light clothed themselves in the fabric of Darkness.” They are called allegorically the “Heavenly Snails,” on account of their (to us) formless Intelligences inhabiting unseen their starry and planetary homes, and so to speak, carrying them, as the snails do, along with themselves in their revolution. The doctrine of a common origin for all the heavenly bodies and planets was, as we see, inculcated by the archaic astronomers, before Kepler, Newton, Leibnitz, Kant, Herschel and Laplace. Heat (the “Breath”), Attraction and Repulsion—the three great factors of Motion—are the conditions under which all the members of this primitive family are born, develop, and die; to be reborn after a Night of Brahmâ, during which eternal Matter relapses periodically into its primary undifferentiated state. The most attenuated gases can give no idea of its nature to the modern Physicist. Centres of Forces at first, the invisible Sparks, or primordial Atoms, differentiate into Molecules, and become Suns—passing gradually into objectivity—gaseous, radiant, cosmic, the one “Whirlwind” (or Motion) finally giving the impulse to the form, and the initial motion, regulated and sustained by the never-resting “Breaths”—the Dhyân Chohans.

  1. … Then the Second Seven, who are the Lipika, produced by the Three.186 The Rejected Son is One. The “Son-Suns”are countless.

[pg 130] The “Lipika,” from the word lipi, “writing,” means literally the “Scribes.”187 Mystically, these Divine Beings are connected with Karma, the Law of Retribution, for they are the Recorders, or Annalists, who impress on the (to us) invisible tablets of the Astral Light, “the great picture-gallery of eternity”—a faithful record of every act, and even thought, of man; of all that was, is, or ever will be, in the phenomenal Universe. As said in Isis Unveiled, this divine and unseen canvas is the Book of Life. As it is the Lipika who project into objectivity from the passive Universal Mind the ideal plan of the Universe, upon which the “Builders” reconstruct the Kosmos after every Pralaya, it is they who stand parallel to the Seven Angels of the Presence, whom the Christians recognize in the Seven “Planetary Spirits,” or the “Spirits of the Stars”; and thus it is they who are the direct amanuenses of the Eternal Ideation—or, as Plato calls it, the “Divine Thought.” The Eternal Record is no fantastic dream, for we meet with the same records in the world of gross matter. As Dr. Draper says:

A shadow never falls upon a wall without leaving thereupon a permanent trace which might be made visible by resorting to proper processes…. The portraits of our friends or landscape-views may be hidden on the sensitive surface from the eye, but they are ready to make their appearance as soon as proper developers are resorted to. A spectre is concealed on a silver or a glassy surface, until, by our necromancy, we make it come forth into the visible world. Upon the walls of our most private apartments, where we think the eye of intrusion is altogether shut out, and our retirement can never be profaned, there exist the vestiges of our acts, silhouettes of whatever we have done.188

Drs. Jevons and Babbage believe that every thought displaces the particles of the brain and, setting them in motion, scatters them throughout the universe: they also think that “each particle of the existing matter must be a register of all that has happened.”189 Thus the ancient doctrine has begun to acquire rights of citizenship in the speculations of the scientific world.

The forty “Assessors,” who stand in the region of Amenti as the accusers of the Soul before Osiris, belong to the same class of deities as the Lipika, and might stand as parallels, were not the Egyptian gods so little understood in their esoteric meaning. The Hindû Chitragupta who reads out the account of every Soul’s life from his register, called [pg 131]Agra-Sandhânî; the Assessors who read theirs from the Heart of the Defunct, which becomes an open book before either Yama, Minos, Osiris, or Karma—are all so many copies of, and variants from, the Lipika and their Astral Records. Nevertheless, the Lipika are not deities connected with Death, but with Life Eternal.

Connected as the Lipika are with the destiny of every man, and the birth of every child, whose life is already traced in the Astral Light—not fatalistically, but only because the Future, like the Past, is ever alive in the Present—they may also be said to exercise an influence on the Science of Horoscopy. We must admit the truth of the latter whether we will or not. For, as observed by one of the modern professors of Astrology:

Now that photography has revealed to us the chemical influence of the sidereal system, by fixing on the sensitized plate of the apparatus milliards of stars and planets that had hitherto baffled the efforts of the most powerful telescopes to discover, it becomes easier to understand how our solar system can, at the birth of a child, influence his brain—virgin of any impression—in a definite manner and according to the presence on the zenith of such or another zodiacal constellation.190

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