Lines 1-4

The last Vibration of the Seventh Eternity thrills through Infinitude (a). The Mother swells, expanding from within without, like the Bud of the Lotus (b).

(a) The “Seventh Eternity” is sanctified in Esoteric Philosophy.

The latter divides boundless Duration into unconditionally eternal and universal Time (Kâla); and conditioned Time (Khandakâla). One is the abstraction or noumenon of infinite Time, the other its phenomenon appearing periodically, as the effect of Mahat—the Universal Intelligence, limited by manvantaric duration.

With some schools, Mahat is the first-born of Pradhâna (undifferentiated Substance, or the periodical aspect of Mûlaprakriti, the Root of Nature), which (Pradhâna) is called Mâyâ, Illusion.

In this respect, Esoteric teaching differs from the Vedântin doctrines of both the Advaita and the Visishthadvaita schools.

For it says that, while Mûlaprakriti, the noumenon, is self-existing and without any origin—is, in short, parentless, Anupâdaka, as one with Brahman—Prakriti, its phenomenon, is periodical and no better than a phantasm of the former;

so Mahat, the first-born of Jñâna (or Gnôsis), Knowledge, Wisdom or the Logos—is a phantasm reflected from the Absolute Nirguna (Parabrahman), the One Reality, “devoid of attributes and qualities”; while with some Vedântins Mahat is a manifestation of Prakriti, or Matter.

(b) Therefore, the “last Vibration of the Seventh Eternity” was “fore-ordained”—by no God in particular, but occurred in virtue of the eternal and changeless Law which causes the great periods of Activity and Rest, called so graphically, and at the same time so poetically, the Days and Nights of Brahmâ.

The expansion “from within without” of the Mother, called elsewhere the “Waters of Space,” “Universal Matrix,” etc., does not allude to an expansion from a small centre or focus, but means the development of limitless subjectivity into as limitless objectivity, without reference to size or limitation or area.

“The ever [to us] invisible and immaterial Substance present in eternity, threw its periodical Shadow from its own plane into the Lap of Mâyâ.” It implies that this expansion, not being an increase in size—for infinite extension admits of no enlargement—was a change of condition.

It expanded “like the Bud of the Lotus”; for the Lotus plant exists not only as a miniature embryo in its seed (a physical characteristic), but its prototype is present in an ideal form in the Astral Light from “Dawn” to “Night” during the manvantaric period, like everything else, as a matter of fact, in this objective Universe; from man to mite, from giant trees to the tiniest blades of grass.

All this, teaches the Hidden Science, is but the temporary reflection, the shadow of the eternal ideal prototype in Divine Thought; the word “Eternity,” note well again, standing here only in the sense of “Æon,” as lasting throughout the seemingly interminable, but still limited cycle of activity, called by us Manvantara. For what is the real esoteric meaning of Manvantara, or rather a Manu-antara? It means, literally, “between two Manus,” of whom there are fourteen in every [pg 093]Day of Brahmâ, such a Day consisting of 1,000 aggregates of four Ages, 1,000 “Great Ages” or Mahâyugas. Let us now analyse the word or name Manu. Orientalists in their dictionaries tell us that the term “Manu” is from the root man, “to think”; hence “the thinking man.” But, esoterically, every Manu, as an anthropomorphized patron of his special cycle (or Round), is but the personified idea of the “Thought Divine” (as the Hermetic Pymander); each of the Manus, therefore, being the special god, the creator and fashioner of all that appears during his own respective cycle of being or Manvantara. Fohat runs the Manus’ (or Dhyân Chohans’) errands, and causes the ideal prototypes to expand from within without—that is, to cross gradually, on a descending scale, all the planes, from the noumenal to the lowest phenomenal, to bloom finally on the last into full objectivity—the acme of Illusion, or the grossest matter.

2. The Vibration sweeps along, touching93 with its swift Wing the whole Universe and the Germ that dwelleth in Darkness, the Darkness that breathes94 over the slumbering Waters of Life.

The Pythagorean Monas is also said to dwell in solitude and “Darkness” like the “Germ.” The idea of the Breath of Darkness moving over “the slumbering Waters of Life,” which is Primordial Matter with the latent Spirit in it, recalls the first chapter of Genesis. Its original is the Brâhmanical Nârâyana (the Mover on the Waters), who is the personification of the Eternal Breath of the unconscious All (or Parabrahaman) of the Eastern Occultists. The Waters of Life, or Chaos—the female principle in symbolism—are the vacuum (to our mental sight), in which lie the latent Spirit and Matter. This it was that made Democritus assert, after his instructor Leucippus, that the primordial principles of all were atoms and a vacuum, in the sense of space, but not of empty space, for “Nature abhors a vacuum,” according to the Peripatetics and every ancient philosopher.

In all Cosmogonies “Water” plays the same important part. It is the base and source of material existence. Scientists, mistaking the word for the thing, understand by it the definite chemical combination of oxygen and hydrogen, thus giving a specific meaning to a term used [pg 094]by Occultists in a generic sense, and which is employed in Cosmogony with a metaphysical and mystical meaning. Ice is not water, neither is steam, although all three have precisely the same chemical composition.

3. Darkness radiates Light, and Light drops one solitary Ray into the Waters, into the Mother-Deep. The Ray shoots through the Virgin egg, the Ray causes the Eternal Egg to thrill, and drop the non-eternal Germ,95 which condenses into the World-Egg.

The “solitary Ray” dropping into the “Mother-Deep” may be taken to mean Divine Thought, or Intelligence, impregnating Chaos. This, however, occurs on the plane of metaphysical abstraction, or rather the plane whereon that which we call a metaphysical abstraction, is a reality. The “Virgin-Egg,” being in one sense the abstract of all ova, or the power of becoming developed through fecundation, is eternal and for ever the same. And just as the fecundation of an egg takes place before it is dropped; so the non-eternal periodical Germ, which later becomes in symbolism the Mundane Egg, contains in itself, when it emerges from the said symbol, “the promise and potency” of all the Universe. Though the idea per se is, of course, an abstraction, a symbolical mode of expression, it is a true symbol, for it suggests the idea of infinity as an endless circle. It brings before the mind’s eye the picture of Kosmos emerging from and in boundless Space, a Universe as shoreless in magnitude, if not as endless in its objective manifestation. The symbol of an egg also expresses the fact taught in Occultism that the primordial form of everything manifested, from atom to globe, from man to angel, is spheroidal, the sphere being with all nations the emblem of eternity and infinity—a serpent swallowing its tail. To realize the meaning, however, the sphere must be thought of as seen from its centre. The field of vision, or of thought, is like a sphere whose radii proceed from one’s self in every direction, and extend out into space, opening up boundless vistas all around. It is the symbolical circle of Pascal and the Kabalists, “whose centre is everywhere and circumference nowhere”—a conception which enters into the compound idea of this emblem.

The “World-Egg” is, perhaps, one of the most universally adopted [pg 095]symbols, highly suggestive as it is, equally in the spiritual, physiological, and cosmological sense. Therefore, it is found in every world-theogony, where it is largely associated with the serpent symbol, the latter being everywhere, in philosophy as in religious symbolism, an emblem of eternity, infinitude, regeneration, and rejuvenation, as well as of wisdom. The mystery of apparent self-generation and evolution through its own creative power, repeating in miniature, in the egg, the process of cosmic evolution—both due to heat and moisture under the efflux of the unseen creative spirit—fully justified the selection of this graphic symbol. The “Virgin-Egg” is the microcosmic symbol of the macrocosmic prototype, the “Virgin Mother”—Chaos or the Primeval Deep. The male creator (under whatever name) springs forth from the virgin female, the Immaculate Root fructified by the Ray. Who, if versed in astronomy and natural sciences, can fail to see its suggestiveness? Kosmos, as receptive Nature, is an egg fructified—yet left immaculate; for once regarded as boundless, it could have no other representation than a spheroid. The Golden Egg was surrounded by seven natural Elements, “four ready [ether, fire, air, water], three secret.” This may be found stated in Vishnu Purâna, where elements are translated “envelopes,” and a secret one is added—Ahamkâra.96 The original text has no Ahamkâra; it mentions seven Elements without specifying the last three.

4. The Three97 fall into the Four98. The Radiant Essence becomes Seven inside, Seven outside (a). The Luminous Egg,99which in itself is Three,100 curdles and spreads in milk-white Curds throughout the Depths of Mother, the Root that grows in the Depths of the Ocean of Life (b).

The use of geometrical figures and the frequent allusions to figures in all ancient scriptures, as in the Purânas, the Egyptian Book of the Dead and even the Bible—must be explained. In the Book of Dzyan, as in the Kabalah, there are two kinds of numerals to be studied—the Figures, often simple blinds, and the Sacred Numbers, the values of which are [pg 096]all known to the Occultists through Initiation. The former are but conventional glyphs; the latter, the basic symbols of all. That is to say, the one are purely physical, the other purely metaphysical, the two standing in relation to each other as Matter stands to Spirit—the extreme poles of the One Substance.

As Balzac, the unconscious Occultist of French literature, says somewhere, the Number is to Mind the same as it is to Matter, “an incomprehensible agent.” Perhaps so to the profane, never to the initiated mind. Number is, as the great writer thought, an Entity, and, at the same time, a Breath emanating from what he called God and what we call the All, the Breath which alone could organize the physical Cosmos, “where naught obtains its form but through the Deity, which is an effect of Number.” It is instructive to quote Balzac’s words upon this subject:

The smallest as the most immense creations, are they not to be distinguished from each other by their quantities, their qualities, their dimensions, their forces and attributes, all begotten by Number? The infinitude of Numbers is a fact proven to our mind, but of which no proof can be physically given. The mathematician will tell us that the infinitude of Numbers exists but is not to be demonstrated. God is a Number endowed with motion, which is felt but not demonstrated. As Unity, it begins the Numbers, with which it has nothing in common…. The existence of Numbers depends on Unity, which without a single Number, begets them all…. What! unable either to measure the first abstraction yielded to you by the Deity, or to get hold of it, you still hope to subject to your measurements the mystery of the Secret Sciences which emanate from that Deity? …. And what would you feel, were I to plunge you into the abysses of Motion, the Force which organizes the Numbers? What would you think, were I to add that Motion and Number101 are begotten by the Word, the Supreme Reason of the Seers and Prophets, who, in days of old, sensed the mighty Breath of God, a witness to which is the Apocalypse?

(b) “The Radiant Essence curdles and spreads throughout the Depths” of Space. From an astronomical point of view this is easy of explanation: it is the Milky Way, the World-Stuff, or Primordial Matter in its first form.

It is more difficult, however, to explain it in a few words, or even lines, from the standpoint of Occult Science and Symbolism, as it is the most complicated of glyphs. Herein are enshrined more than a dozen symbols. To begin with, it contains the whole pantheon of mysterious objects,102 every one of them having some definite Occult meaning, extracted from the Hindû allegorical “Churning of the Ocean” by the Gods.

Besides Amrita, the water of life or immortality, Surabhi, the “cow of plenty,” called “the fountain of milk and curds,” was extracted from this “sea of milk.” Hence the universal adoration of the cow and bull, one the productive, the other the generative power in Nature: symbols connected with both the solar and the cosmic deities.

The specific properties, for Occult purposes, of the “fourteen precious things,” being explained only at the Fourth Initiation, cannot be given here; but the following may be remarked.

In the Shatapatha Brâhmana it is stated that the Churning of the Ocean of Milk took place in the Satya Yuga, the first Age which immediately followed the “Deluge.” As, however, neither the Rig Veda nor Manu—both preceding Vaivasvata’s “Deluge,” that of the bulk of the Fourth Race—mention this Deluge, it is evident that it is neither the Great Deluge, nor that which carried away Atlantis, nor even the Deluge of Noah, which is here meant.

This “Churning” relates to a period before the earth’s formation, and is in direct connection with another universal legend, the various and contradictory versions of which culminated in the Christian dogma of the “War in Heaven,” and the “Fall of the Angels.”

The Brâhmanas, reproached by the Orientalists with their versions on the same subjects often clashing with each other, are preëminently occult works, hence used purposely as blinds. They are allowed to survive for public use and property only because they were and are absolutely unintelligible to the masses. Otherwise they would have disappeared from circulation as long ago as the days of Akbar.