The Motion of Excitement
6 minutes • 1166 words
- The motion of excitement
This is a kind of motion of assimilation.
It is, like that, a diffusive, communicative, transitive and multiplying motion.
They agree remarkably in their effect, although they differ in:
- their mode of action
- their subject matter.
The motion of assimilation proceeds imperiously and with authority.
- It orders and compels the assimilated to be converted and changed into the assimilating body.
The motion of excitememt proceeds by art, insinuation and stealth.
- It invites and disposes the excited toward the nature of the exciting body.
The motion of assimilation both multiplies and transforms bodies and substances.
- Thus more flame, air, spirit and flesh is formed
In the motion of excitememt powers only are multiplied and changed.
- Heat, the magnetic power, and putrefaction, in the above instances, are increased.
Heat does not diffuse itself when heating other bodies by any communication of the original heat, but only by exciting the parts of the heated body to that motion which is the form of heat, and of which we spoke in the first vintage of the nature of heat.
Heat, therefore, is excited much less rapidly and readily in stone or metal than in air, on account of the inaptitude and sluggishness of those bodies in acquiring that motion, so that it is probable, that there may be some substances, toward the centre of the earth, quite incapable of being heated, on account of their density, which may deprive them of the spirit by which the motion of excitement is usually commenced.
Thus also the magnet creates in the iron a new disposition of its parts, and a conformable motion, without losing any of its virtue. So the leaven of bread, yeast, rennet and some poisons, excite and invite successive and continued motion in dough, beer, cheese or[260] the human body; not so much from the power of the exciting, as the predisposition and yielding of the excited body.
- The motion of impression
This is also a species of motion of assimilation.
The most subtile of diffusive motions. We have thought it right, however, to consider it as a distinct species, on account of its remarkable difference from the last two; for the simple motion of assimilation transforms the bodies themselves, so that if you remove the first agent, you diminish not the effect of those which succeed; thus, neither the first lighting of flame, nor the first conversion into air, are of any importance to the flame or air next generated.
So, also, the motion of excitement still continues for a considerable time after the removal of the first agent, as in a heated body on the removal of the original heat, in the excited iron on the removal of the magnet, and in the dough on the removal of the leaven.
But the motion of impression, although diffusive and transitive, appears, nevertheless, to depend on the first agent, so that upon the removal of the latter the former immediately fails and perishes; for which reason also it takes effect in a moment, or at least a very short space of time. We are wont to call the two former motions the motions of the generation of Jupiter, because when born they continue to exist; and the latter, the motion of the generation of Saturn, because it is immediately devoured and absorbed.
It may be seen in 3 instances:
- in the rays of light
- in the percussions of sounds
- in magnetic attractions as regards communication.
For, on the removal of light, colors and all its other images disappear, as on the cessation of the first percussion and the vibration of the body, sound soon fails, and although[261] sounds are agitated by the wind, like waves, yet it is to be observed, that the same sound does not last during the whole time of the reverberation. Thus, when a bell is struck, the sound appears to be continued for a considerable time, and one might easily be led into the mistake of supposing it to float and remain in the air during the whole time, which is most erroneous.[159] For the reverberation is not one identical sound, but the repetition of sounds, which is made manifest by stopping and confining the sonorous body; thus, if a bell be stopped and held tightly, so as to be immovable, the sound fails, and there is no further reverberation, and if a musical string be touched after the first vibration, either with the finger (as in the harp), or a quill (as in the harpsichord), the sound immediately ceases. If the magnet be removed the iron falls. The moon, however, cannot be removed from the sea, nor the earth from a heavy falling body, and we can, therefore, make no experiment upon them; but the case is the same.
- The motion of configuration or position
by which bodies appear to desire a peculiar situation, collocation, and configuration with others, rather than union or separation. This is a very abstruse notion, and has not been well investigated; and, in some instances, appears to occur almost without any cause, although we[262] be mistaken in supposing this to be really the case. For if it be asked, why the heavens revolve from east to west, rather than from west to east, or why they turn on poles situate near the Bears, rather than round Orion or any other part of the heaven, such a question appears to be unreasonable, since these phenomena should be received as determinate and the objects of our experience. There are, indeed, some ultimate and self-existing phenomena in nature, but those which we have just mentioned are not to be referred to that class: for we attribute them to a certain harmony and consent of the universe, which has not yet been properly observed. But if the motion of the earth from west to east be allowed, the same question may be put, for it must also revolve round certain poles, and why should they be placed where they are, rather than elsewhere? The polarity and variation of the needle come under our present head. There is also observed in both natural and artificial bodies, especially solids rather than fluids, a particular collocation and position of parts, resembling hairs or fibres, which should be diligently investigated, since, without a discovery of them, bodies cannot be conveniently controlled or wrought upon. The eddies observable in liquids by which, when compressed, they successively raise different parts of their mass before they can escape, so as to equalize the pressure, is more correctly assigned to the motion of liberty.
- The motion of that of transmission or of passage
by which the powers of bodies are more or less impeded or advanced by the medium, according to the nature of the bodies and their effective powers, and also according to that of the medium. For one medium is adapted to light, another to sound, another to heat and[263] cold, another to magnetic action, and so on with regard to the other actions.