https://superphysics.org/tags/secret/ Recent content in Secret on Superphysics Hugo en Wed, 27 Jun 2007 00:00:00 +0000 https://superphysics.org/research/other/alien/essassani/transmissions/1997/1997-01-03/ Fri, 03 Jan 1997 00:00:00 +0000 https://superphysics.org/research/other/alien/essassani/transmissions/1997/1997-01-03/ <h2 id="new-year-new-beginnings">New Year, New Beginnings</h2> <p>It is a time for new cycles, new beginnings when we would like to finish up a little old business before we get on with the new ideas we will share this year.</p> https://superphysics.org/research/other/alien/essassani/transmissions/1997/1997-01-03b/ Fri, 03 Jan 1997 00:00:00 +0000 https://superphysics.org/research/other/alien/essassani/transmissions/1997/1997-01-03b/ <h3 id="chakras-and-spiritual-energy">Chakras and Spiritual Energy</h3> <p><strong>Asker:</strong> I wanted to do continue our discussion of chakras. If we operate in the lower seven chakras, there&rsquo;s limited energy. We need to be careful on where we put our energy and effectively.</p> https://superphysics.org/research/other/alien/essassani/transmissions/2007/2007-06-23/ Sat, 23 Jun 2007 00:00:00 +0000 https://superphysics.org/research/other/alien/essassani/transmissions/2007/2007-06-23/ <p>We hear in conversations with many of you, questions and discussions of different kinds of tools, rituals, books, information. And we are often asked: does this tool work? What about this ritual? What is the best way to do this? What is the best way to do that?</p> https://superphysics.org/research/other/alien/essassani/transmissions/2007/2007-06-23b/ Sat, 23 Jun 2007 00:00:00 +0000 https://superphysics.org/research/other/alien/essassani/transmissions/2007/2007-06-23b/ <!-- ### Dream Interpretation **Asker:** I would like to share with you a dream I had, and if you can give me more insight on what this dream means. I'm driving to work and I'm on Nordoff street.. I stop at a red light and the cross streets are now Nordoff and Mason. I remember seeing cars on all sides of the intersection. Then all of a sudden, a huge gust of wind picks up my car and my car starts flying through the air. I end up in a spaceship. Yes. The next thing I remember, I'm standing in the spaceship and I'm in front of two entities. Yes. One looks very much like you, a hybrid, and the other a very tall being made of white light and then turns into pure light. Yes. I remember having telepathic communications but not remembering what was shared between us. Then in a flash, my car—I'm in my car and I'm flying in the air the same way as I did when the wind first picked me up. Yes. My car is now back in an intersection and it seems like nothing has changed. Yes, and no time has passed. Correct. What happens next is that all my tattoos disappear and my eyes turn crystal blue. Yes. I'm also still able to have telepathic communications with these entities in my dream, and I start sharing this with others. I even take one individual onto the ship to meet both entities. I want to know what was shared between us. I can't really remember, and why did my tattoos disappear and my eyes? **Bashar:** Tattoos disappeared symbolically because what it represents is the idea of information on the outside now being on the inside—of absorbing data. Okay. Why did my eyes turn crystal blue? Because absorbing all that data allows you to function from a higher plane, the higher vibration, the higher resonance represented by that color, allows you to be seeing through the eyes of the higher self. Okay. Asker: Why did I meet those two entities and those specific two entities? **Bashar:** Because they're your friends. Okay. Because they're family, because you have familiarity with them, because you've done it before many times with them. ### Voice and Passion **Asker:** I spoke with you about maybe 13 years ago. I would like to choose to speak better again. **Bashar:** My—have anything to say? I have too much to say. **Bashar:** Well, all right then. Maybe you should tone down what you think you need to say and deliver the information more simply. What do you think about that idea? **Asker:** That sounds good. I hope my daughter wrote that down. One moment, one moment, one moment. **Bashar:** What excites you? What is your passion? **Asker:** History, learning, people. **Bashar:** History, learning, and people. **Asker:** And travel. **Bashar:** And travel. Can all of these be wrapped up in a larger definition of excitement of which each of these might be an expression or an aspect? **Asker:** Um, I would like to know what that is. **Bashar:** Well, I'm asking you. History, learning, travel, people—how do you imagine that those aspects might be lumped together into a broader definition of what your passion is? **Asker:** I'm stumped. **Bashar:** Teaching. **Asker:** Well, I was teaching when I lost my voice. **Bashar:** Oh, but teaching in a different way. Yeah. **Asker:** How do you imagine in the circumstances that you are in now that you could teach without necessarily having to rely on the vocal communication? **Asker:** Well, there's online teaching, of course. **Bashar:** Oh, all right. That's one. Anything else? **Asker:** Uh, I would like to have more people contact than online. **Bashar:** Well, all right. So you want to do it face to face, so to speak, in person. That is your preference. **Asker:** Yes, yes, yes. **Bashar:** All right. Yes. One moment, one moment, one moment, one moment. What happens when you attempt to talk from here instead of here? **Asker:** Um, it's a better voice when I can breathe properly, but it seems like I've forgotten how to talk. **Bashar:** That's not necessarily a bad thing, you know, especially in your society. **Asker:** Yes, you told me that before. There were other ways to communicate. **Bashar:** Yes, yes. But I just want to add this: I've done some hypnotherapy and other things that brought up like sexual abuse as a child, and you know, very good. **Bashar:** So that I'm—are you ready to integrate a lot of these things together? **Asker:** Yes. **Bashar:** All right. Are you planning to take a trip? **Asker:** Yes. Two—Florida. Farther. Um, well I just came back from Egypt. All right. And I did want to ask you about the pyramids because I went inside. Okay. Thank you. Where do I want? Brazil. But let's go back to the trip. **Bashar:** As it relates to the idea of learning history, teaching people. Where would you feel most resonant? **Asker:** Africa. In Ethiopia. **Bashar:** Why? Searching for the Ark of the Covenant. Why history? Yes, but why? What do you imagine being in proximity to that device will do for you? **Asker:** Um, expand my consciousness. **Bashar:** Specifically. That's a general statement. What do you believe proximity to that device will specifically do for you? **Asker:** I hadn't really thought about it. **Bashar:** Think about it, but not too hard. Feel it more than think about it. Imagine with me now that you are actually in proximity to that device. What comes up? **Asker:** Fire and brightness. What feelings? Um... **Bashar:** Do you feel any kind of rise in passion within you? **Asker:** Yes. **Bashar:** You sound hesitant. Are you afraid to feel your passion? **Asker:** Yes. **Bashar:** Why? **Asker:** Um, just general fear. **Bashar:** Are you afraid that if you allow yourself to unleash your passion, that the consequences will be negative? **Asker:** No. **Bashar:** Then why are you afraid? **Asker:** Just fear of the unknown. **Bashar:** You know what? I don't believe you. Someone willing to travel to Ethiopia in search of the Ark of the Covenant does not really have a fear of the unknown. So as wonderful a reason as that was, we don't buy it. Imagine giving voice—truly giving voice—to your passion in whatever form it comes. Imagine that. What do you believe will happen if you do? Let's just use your paper-thin excuse for a moment and, as an example, let's assume that you're correct hypothetically that you're afraid of the unknown. What does that mean? What do you think you'll find in the unknown if you give over to your passion? What do you imagine will happen that is not known to you now that you would fear so much? **Asker:** I don't know. Some truth that other people don't want to hear. **Bashar:** All right, all right. And what difference does it make if others don't want to hear what you have to say? While you're pondering that, let me once again explain something about the concept of impact. None of you will ever—underline, underline, underline, underline, underline—none of you will ever have more impact than you have just by existing. Ever. So stop worrying about how to create more impact with what you want to do. You will never be able to create more impact than you already have upon the universe just by the very fact of your existence. Key: what you are attempting to do by following your passion, by acting on your joy, is not create more impact. By doing that, you create opportunities that reveal the impact you already have. It's a discovery of yourself, not the creation of something that doesn't already exist. That's number one. Number two: if it is in fact your passion to share something of yourself with the world in some way, shape, or form, the very fact that you have the passion to do so tells you by definition there must be at least one person who needs to hear it, or you wouldn't have the drive, you wouldn't have the passion, because there are no accidents in creation. And if you exist and your true self is somebody that is passionately driven to share something, then the reason you are where you are when you're there is because there's somebody where you are when you are, waiting to receive what you have to share. Because as we have said, there are no one-sided coins. If you have the head, you got to have the tail, or there's no coin. You can't have a head by itself. You can't have the tail by itself. If you got the head, you know there has to be a tail to the coin somewhere. But the only way you're going to find out that it's right on the other side of you is to give over to that passion so that you can function as the whole coin and thus have the other side revealed to you. **Bashar:** Might you also be interested in taking a trip to Italy? **Asker:** Yes.. to find out the truth.. the true history of humanity. **Bashar:** Why do you think you'll find that in Italy? **Asker:** There's many places to do research there, such as the Vatican. **Bashar:** There's your biggest clue: Speak softly. That will show you your power of speech and communication. Remember, the greatest power has the lightest touch. So don't try. Don't force yourself to share. Be calm. Be soft. Be almost at a whisper. Then you will be heard. --> <h3 id="time-speeding-up">Time Speeding Up</h3> <p><strong>Asker:</strong> I&rsquo;m noticing that I&rsquo;m making things happen in my life—good things—they seem to be coming faster. Is it just my belief, or is time speeding up?</p> https://superphysics.org/research/other/alien/essassani/transmissions/2007/2007-06-27/ Wed, 27 Jun 2007 00:00:00 +0000 https://superphysics.org/research/other/alien/essassani/transmissions/2007/2007-06-27/ <h3 id="the-secret-to-the-secret--the-physical-mind">The Secret to the Secret &amp; The Physical Mind</h3> <p>We will discuss the principles, concepts, ideas that you have just listened to in this particular collective work that you have labeled on your planet &ldquo;The Secret.&rdquo;</p> https://superphysics.org/research/other/alien/essassani/transmissions/2007/2007-06-27b/ Wed, 27 Jun 2007 00:00:00 +0000 https://superphysics.org/research/other/alien/essassani/transmissions/2007/2007-06-27b/ <h3 id="pyramids-as-permission-slips">Pyramids as Permission Slips</h3> <div class="reveal-on-scroll fly-in-right flex justify-end items-start gap-3 px-2 py-4 relative" data-animate="show"> <div class="flex flex-col items-end max-w-[95%] md:max-w-[80%]"> <div class="flex items-center mb-1"> <span class="text-xs font-semibold text-gray-600 dark:text-gray-400 mr-2"> Asker </span> </div> <div class="border border-gray-400 p-4 shadow-md rounded-2xl rounded-tr-none"> <div class="prose prose-sm sm:prose-sm md:prose-base lg:prose-lg dark:prose-invert max-w-none"> I heard a tape saying that pyramids were an amplifier, they enhanced one&rsquo;s ability to manifest. I was wondering if it&rsquo;s just a permission slip, everything is just a permission slip? </div> </div> </div> <div class="flex-shrink-0"> <img class="w-12 h-12 rounded-full shadow-lg border-2 object-cover" src="https://superphysics.org/icons/Asker.jpg" alt="Asker" onerror="this.style.display='none'; this.nextElementSibling.style.display='block'"> <svg class="w-12 h-12 rounded-full shadow-lg border-2 hidden" viewBox="0 0 100 100" style="background: #4A90D9;"> <text x="50" y="58" text-anchor="middle" font-family="Arial, sans-serif" font-size="40" font-weight="bold" fill="white"> A </text> </svg> </div> </div> <div class="reveal-on-scroll fly-in-left flex justify-start items-start gap-3 px-2 py-4 relative" data-animate="show"> <div class="flex-shrink-0"> <img class="w-12 h-12 rounded-full shadow-lg border-2 object-cover" src="https://superphysics.org/icons/Bashar.jpg" alt="Bashar" onerror="this.style.display='none'; this.nextElementSibling.style.display='block'"> <svg class="w-12 h-12 rounded-full shadow-lg border-2 hidden" viewBox="0 0 100 100" style="background: #4A90D9;"> <text x="50" y="58" text-anchor="middle" font-family="Arial, sans-serif" font-size="40" font-weight="bold" fill="white"> B </text> </svg> </div> <div class="flex flex-col items-start max-w-[95%] md:max-w-[80%]"> <div class="flex items-center mb-1"> <span class="text-xs font-semibold text-gray-600 dark:text-gray-400 ml-1"> Bashar </span> </div> <div class="border border-gray-400 p-4 shadow-md rounded-2xl rounded-tl-none text-left"> <div class="prose prose-sm sm:prose-sm md:prose-base lg:prose-lg dark:prose-invert max-w-none"> <p>That doesn&rsquo;t mean that that&rsquo;s not what those things do, because you have created them to do so as a reflection to you that allows you to be who you are.</p>